Introducing Ka Youn Yoo

Introducing Ka Youn Yoo

Meet Ka Youn Yoo

We are pleased to introduce Ka Youn Yoo, an exceptionally talented composer from South Korea, as one of our key tutors for the upcoming Commonwealth Resounds initiatives. Ka Youn has just graduated with a master’s degree in Composition for Screen from the Royal College of Music (RCM).

Her compositions have earned her international recognition, with premieres at prestigious venues such as Cadogan Hall in London, The Korean Ministry of Unification (대한민국 통일부) and National Gugak Center (국립국악원) in South Korea, Dobříš Castle in the Czech Republic, and Government House in Antigua and Barbuda. Her global experiences and innovative approach to music make her a remarkable addition to our team.

Global Recognition

Ka Youn is actively involved in the film industry, working on several short films with emerging directors in both the UK and Korea. She is represented by Lemon Sound, a notable music production company based in South Korea. This collaboration highlights her dynamic range and ability to bridge different cultural and artistic landscapes.

This will be Ka Youn’s second tour of Antigua and Barbuda, where she will once again contribute her expertise and passion for music to inspire young musicians on the island. Her return is highly anticipated, and we are excited about the creative energy she will bring to our workshops and performances.

Revisiting the islands

Ka Youn is returning to Antigua & Barbuda for her third tour, having been a member of the composition team where she led training sessions for teachers in the island. This year, Ka Youn will lead workshops in film composition, supporting students from across the Caribbean. We look forward to the incredible impact she will have on the young musicians of Antigua and Barbuda.

Wondering what is happening in the photos? Click on the photos above to find out more about what you can see.

Find out more about our 2024 Antigua Trip

Return to Antigua and Barbuda

Return to Antigua and Barbuda

A Symphony of Cultures: Our Return to Antigua

The Commonwealth Resounds: Returning to Antigua & Barbuda

Join us as we embark on another inspiring chapter of musical exploration and collaboration with the talented youth of Antigua & Barbuda.

Anticipating Our Return

A New Chapter in Antigua & Barbuda

We are thrilled to announce our return to the beautiful shores of Antigua & Barbuda this summer! Our previous journey was filled with unforgettable moments, from teaching recorder in Barbuda to witnessing the incredible dedication of young musicians. This year, we aim to build on the foundations laid last year with advanced composition workshops, rehearsals, and performances of new pieces. Our collaborative projects will involve both returning students and new faces, ensuring a diverse and enriching experience for all participants. Antigua and Barbuda will be welcoming students from Montserrat and St Kitts & Nevis to join 20 young Antiguan students in this unique project, the first ever to happen in the Caribbean. Stay tuned for more updates as we approach our departure date.

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Memories from Our Last Visit

Antigua & Barbuda Youth Symphony Orchestra

Unforgettable Moments

A Journey of Musical Inspiration

Our previous visit to Antigua was nothing short of magical. We had the privilege of teaching recorder to eager students in Barbuda, witnessing their rapid progress and unbridled enthusiasm. The dedication and passion of these young musicians was truly inspiring, leaving a lasting impression on our team.

One of the highlights was the first ever Symphony Orchestra concert on Barbuda, where the energy and excitement was palpable. The enchanting rehearsals at iconic venues like the Sir Vivian Richards Stadium added to the unforgettable experience, creating memories that will stay with us forever.

Upcoming Plans

Building on Success

The warm reception from the local community in Antigua was heartwarming and encouraging. The evident musical potential on the islands was a testament to the talent and dedication of the young musicians we had the pleasure of working with. Their enthusiasm and commitment to learning and growing musically was truly remarkable.

This summer, we have an exciting lineup of activities planned. Our team of dedicated composers and musicians will be conducting advanced workshops, diving deeper into the intricacies of musical creation. Composition will be a key focus, as we work closely with young musicians from Antigua & Barbuda, Montserrat and St Kitts & Nevis to refine their skills and prepare for a stunning performance of new music by young people at the end of the week.

Antigua day 9 – Barbuda Concert!

Antigua day 9 – Barbuda Concert!

Day 9 in Antigua

First ever Barbuda concert

There are days that remain etched in memory, not merely for the events, but for the spirit and resonance they carry. Day 9 on our journey was one such day; Barbuda witnessed its inaugural concert. The task was formidable. With no existing arts infrastructure on the island, every instrument, equipment piece, and a sizable crew had to be ferried over on a 90-minute boat journey. As if nature wanted to test our resolve, weather-related delays briefly threatened to throw a spanner in the works. But the TCR team, ever efficient and adaptable, sprang into action. And, just as the final touches were put in place, the arrival of the Governor General to open the concert seemed like a sign from the universe that all was aligned.

The national anthem heralded the ABYSO’s debut performance on Barbuda soil. It was an historic moment, signaling not just the ensemble’s rightful embrace of the name “Barbuda” but also the island’s broader commitment to nurturing its musical roots. The earlier efforts of our team, helped initiate a string teaching programme and the recorder ensemble, bore fruit. The young recorder ensemble’s performance, featuring a fresh composition crafted in collaboration with Dan Swanni, was an aural treat. The palpable growth in the fledgling musicians’ confidence over mere days was nothing short of inspiring.

Speeches were given by Karen Thomas, ABYSO’s Barbuda Coordinator and Her Excellency Karen-Mae Hill. High commissioner of Antigua and Barbuda. Her words to the parents of the islanders were full of hope, but also the reminder that it takes a team to make a difference. Everyone can play their part and everyone can achieve something incredible. With everything coming together in this concert, The ‘Create, Perform, Inspire’ programme certainly hits all three of those points.

Nature had its own dramatic encore in store for us. As we rendered ‘Under the Sea’, the heavens opened, almost making the song’s lyrics a reality! The downpour saw a scramble for cover, a brief pause, and a fervent hope for clearer skies. Once the storm abated, the concert concluded with one final performance of Abba.

Post-performance, a new challenge awaited – the race against time to pack up and board the boat. Battling the tempestuous sea again, the team’s spirits remained undeterred, taking pride in the monumental feat achieved.

We know that the future of music on the island is just starting, but wow did it start strong! At the end of the stay, 20 musicians returned elated, but tired to the Jolly Beach Hotel.

Antigua day 8 – Concert day!

Day 8 in Antigua

First concert

The eighth day of our journey heralded a day of anticipation, excitement, and magic. With the pristine backdrop of the Wetherills Estate, the talented ABYSO took to the stage for their very first concert of this expedition. There’s a unique thrill to performing al fresco, a raw and immediate connection between the performers and nature. The shifting acoustics of the outdoors adds another layer of challenge, demanding particularly keen listening from the students. Each note carried differently, and often vanishing off to somewhere different.

The grounds of the estate slowly filled, as an eager audience, bathed in the warm glow of the setting sun, settled in. Their excitement was palpable, a mix of anticipation and pride. As the first strains of music wafted through the air, it became abundantly clear that the efforts of these budding musicians had borne fruit. The response was overwhelmingly positive, with applause reverberating through the evening air. It was evident: the performance wasn’t just appreciated; it was adored.

As the evening drew to a close and the lingering notes of the concert faded, we joined our new friends, the senior tutors of ABYSO, in a different kind of symphony: one of laughter, shared experiences, and culinary delights. We dined at The Larder, where the menu tantalised our taste buds as much as our music had delighted our ears. Over a scrumptious meal, conversations flowed effortlessly, stories were exchanged, and it became evident that the bonds forged during this journey extended beyond the realm of music. Tomorrow something special will be taking place!

Antigua day 10 – Go Compose Antigua!

Antigua day 10 – Go Compose Antigua!

Day 10 in Antigua

Final performances with our concert, Go Compose Antigua!

Written by Reuben

Day 10 was filled to bursting with composition, composition, and… composition. Throughout the previous 9 days, several members of the ABYSO had sent their compositions to Alison, Ka Youn, and myself, to be played in Monday’s composer’s concert. As a result, the proposed concert programme gradually expanded throughout the week, inflating from a 40-minute concert to an hour, then an hour twenty, and so on. By the time Monday rolled around, we had a program of 14 pieces, highlighting the fantastic diversity of musical creativity on the island.

There were 4 ABSYO members who submitted individual compositions. Ja’Quan and Da’quan sent us a string quartet and a wind quartet, both beautifully concise and sumptuously pandiatonic. Da’Quan’s quartet in particular reminded me of Ravel’s string quartet, and he seemed to agree when I played the first movement to him in the afternoon’s rehearsal. Cellist Zia gave us Voyage Across the Seas, a deeply evocative piece for flute and string quintet. Orlando, a trombonist, sent us an achingly beautiful piece for large ensemble and spoken voice. His piece was so expressive that it had my eyes watering just from the MuseScore MIDI playback!

In addition to the individual compositions, the composer’s concert also featured the collaborative compositions developed throughout the trip by the composition team and the various instrumental sections of the ABYSO. There was the violinist’s piece, a string quintet, which I was frantically sewing together as late as Monday morning (a timeline I’m sure every composer is familiar with). The quintet featured melodies and accompaniments from ABYSO violinists Asafa, Alfranique, Asha, and Calynia, all massively varied in character. Tying all these fragments together resulted in a wonderfully diverse musical collage, continually moving between driving grooves and floating lullabies. While I was wrestling with this, Ka Youn was doing something similar for the lower strings, tying together their beautiful melodies into a virtuosic duet for viola and double bass. What struck us both more than anything else was the incredible creativity of the ABYSO student’s musical fragments: They would often embrace quirkiness, would never shy away from subverting harmonic and melodic expectations, making each note on the page very much their own.

The final composition scheduled for the concert featured the entire woodwind, brass, and percussion sections of the ABYSO, a collaborative piece of mammoth proportions. Through just two workshops, TCR composers Jamie and Connor created a piece, ‘Caribbean Fusions’, that featured collaboratively composed harmonic, rhythmic, and melodic cycles, with its structure being produced in real time through Connor’s gestures as proto-conductor. The end result was viscerally loud and ecstatically rhythmic, sure to get even the stiffest audience members bobbing their heads and tapping their feet.
Rehearsals in the afternoon went off without a hitch, with ABYSO students dropping in throughout the sessions to listen to the TCR instrumentalists rehearse their pieces. Everything was rehearsed by 18:15, leaving ample time for patty-eating and Ting-drinking before the concert’s scheduled start at 19:00.

What followed was one of the best concerts of my life. Education officer Caryl Edwards-Lewis compered, cultivating a wonderfully Antiguan atmosphere of audience participation and engagement, sprinkling the perfect combination of humour, encouragement, and storytelling across the evening. Sitting front row was His Excellency Sir Rodney Williams and Her Excellency Karen-Mae Hill, two people who have provided invaluable help in facilitating the development of orchestral music on Antigua and Barbuda. Many of the members of the ABYSO presented their own pieces, preparing speeches that detailed the hard work and creativity of the previous week’s workshops, with each speech being met by a mandatory stretch of thundering applause and deafening whoops from parents and peers. Witnessing students, teachers, and parents lift each other up and recognise each other’s deep dedication to music-making was a truly special experience. The student’s pieces were awe-inspiring, testaments to their musical curiosity and willingness to collaborate creatively with one another. We heard film music, string music, wind music, quartets, quintets, duets, large ensembles, jazz ensembles and more, a musical kaleidoscope that represented the individual compositional talent of every single member of the ABYSO. Really special stuff.