Antigua Day 3
2024Day 3 saw us travel to the iconic Sir Vivien Richards Cricket stadium, the home of some fairly recent international matches for the world cup!, for the start of our eagerly anticipated composition workshops. The workshops mark a historic moment as the first composition project ever carried out in the Caribbean. Additionally, it’s the first time any musical project has brought together participants from multiple islands.
The course is made up of around 40 students from the islands of Antigua & Barbuda, St Kitts & Nevis, and Montserrat participating and learning from our young tutors and musicians. Students involved are taking part in one of four courses: composition for film, fusion music, jazz composition, and composition for wind & brass.
The morning session began with everyone meeting for the first time, followed by splitting into our new groups. Each course dived into its unique area of focus:
- Film Composition: Students explored how music influences emotions on screen.
- Jazz Composition: Groups investigated how rhythms can work against each other to create exciting beats.
- Fusion Music: The fusion group began to explore the power of spoken word and how music can enhance it.
- Wind and Brass Composition: These groups explored their instruments and the various timbres they can achieve.
It was an inspiring start to our workshops, with students engaging enthusiastically and beginning their journey into the world of composition. The historic nature of this project added an extra layer of excitement and significance to the day.
Wondering what is happening in the photos? Click on the photos above to find out more about what you can see.












The Dionysus Ensemble ran a “Go Compose Solomon Islands” day, which for the first time, introduced composition and trained the students not only how to create their own music, but to write it down. The day was focussed on music theory and notation practices as well as the importance of music being documented for posterity so that their music can be shared, performed by others and last into the future. Our students returned over the following few days with pages of newly created music, which they’d worked on at home after class, to ask advice, seek out new ideas and direction and to check their work with us. We performed and recorded all of their pieces for them so that each student now has a professionally performed record of their first piece.
The idea of walking on to a stage with good posture, bowing and timing your performance were unfamiliar to these students, and the change by the end of this class was monumental.
